Theatre, Comparative Literature
Professor Hana Worthen teaches courses related to her research on animal languages/communication, embodied translation, interspecies justice, and the performative dimensions of political ideologies (communism, national socialism, neo/liberal humanism, and democracy).
She is the author of two monographs, Humanism, Drama, and Performance: Unwriting Theatre (Palgrave Macmillan, 2020) and Playing Nordic: The Women of Niskavuori, Agri/Culture, and Imagining Finland on the Third Reich Stage (University of Helsinki, 2007); a co-edited anthology Finland’s Holocaust: Silences of History (Palgrave Macmillan, 2013); numerous chapters in interdisciplinary anthologies; and scholarly articles appearing in major professional journals, such as Contemporary Theatre Review, TDR: The Drama Review, Modern Drama, Theatre Journal, Theatre Topics, and East European Jewish Affairs.
Professor Worthen is currently working on a new book, bringing together critical animal studies, translation studies, and law to examine the ethical/political, cultural, and legal implications of translation as a species activity.
Her academic work has won awards from prestigious international institutions, including the DAAD (German Academic Exchange Service), the Czech Academy, the Finnish Academy, the Finnish Cultural Foundation, and the Mellon Foundation.
- B.A. in German Philology, University of Helsinki, Finland
- Ph.D. in Theatre Research, University of Helsinki, Finland
Critical Animal Studies
Translating the Animal
Nazism in Performance
Theatre and Democracy
Bertolt Brecht: The Making of Theatre
Politics of Performance (Ph.D. seminar)
Humanism, Drama, Performance: Unwriting Theatre. Palgrave Macmillan, 2020.
Finland's Holocaust: Silences of History. Co-edited with Simo Muir. Palgrave Macmillan, 2013.
Playing "Nordic": The Women of Niskavuori, Agri/Culture, and Imagining Finland on the Third Reich Stage. University of Helsinki, 2007.
"Speaking Black: Tonya Pinkins’s Mother Courage." Shifting Dramaturgies: Composing Experiences of Interweaving Performance Cultures. Ed. Erika Fischer-Lichte, Christel Weiler, and Thorsten Jost. London: Routledge, 2021.
"Applying Hamilton." Routledge Companion to Applied Performance. Ed. Tim Prentki and Ananda Breed. Abingdon, Oxon; New York: Routledge, 2021.
"For a Skeptical Dramaturgy." Theatre Topics 24: 3 (September 2014): 175-186.
"Introduction: Contesting the Silences of History." With Simo Muir. Finland's Holocaust: Silences of History. Ed. Simo Muir and Hana Worthen. Basingstoke: Palgrave Macmillan, 2013.
"Towards New Europe: Arvi Kivimaa, Kultur, and the Fictions of Humanism." Finland's Holocaust: Silences of History. Ed. Simo Muir and Hana Worthen. Basingstoke: Palgrave Macmillan, 2013.
"Kristian Smeds's Countergeographies of Theatre." TheatreForum (July 2012): 56-65.
“Dramaturgy of Desire, Ethics of Illusion in Kristian Smeds’s Mr Vertigo.” Contemporary Theatre Review 22:3 (August 2012): 400-11.
"'Finland is dead, dead, dead': Ethics and National Identity in Kristian Smeds’s The Unknown Soldier." TDR: The Drama Review 56:2 (Summer 2012): 34-55.
"'Humanism,' Scenography, Ideology: Antigone at the Finnish National Theatre, 1968." Antigone on the Contemporary World Stage. Ed. Helene Foley and Erin Mee. Oxford: Oxford University Press, 2011.
"Within and Beyond: Pavel Kohout's Play Makbeth and its Audiences." GRAMMA: Journal of Theory and Criticism 15 (2007): 111-132.
"The Deutsche Tanzfestspiele 1934 (December 9-16, Berlin): Ideology in Movement and a Movement in Ideology." With David J. Buch. Theatre Journal 59 (2007): 215-39.
"The Pillowman and the Ethics of Allegory." With W. B. Worthen. Modern Drama 49:2 (Summer 2006): 155-73.
"The Veil of Jinotaj: Nasková's Loviisa of Niskavuori and National Resistance at Prague's Provisional Theatre during the Protectorate." Modern Drama 45:4 (2002): 593-610.
"Israel-Jakob Schur and the Finnish Scholarly Community." Review article of Simo Muir and Elina Salomaa (eds.), Hyljätiin outouden vuoksi. East European Jewish Affairs 40: 3 (2010): 299-304.
"Tip of the iceberg? Finland and Holocaust." Review article of Hannu Rautkallio, The Jews in Finland. Spared from the Holocaust. East European Jewish Affairs, 39: 1 (2009): 121–133.
Philip Auslander, Reactivations: Essays on Performance and Its Documentation. TDR: The Drama Review, 63:3 (2019): 175-77.
Claire Cochrane and Jo Robinson, eds., Theatre History and Historiography: Ethics, Evidence and Truth & Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter. Theatre Journal 71:1 (2019): 129-31.
Lourdes Orozco and Jennifer Parker-Starbuck, eds., Performing Animality: Animals in Performance Practices. Theatre Topics 28: 2 (2018): 186-87.
Judith Butler, Notes Toward a Performative Theory of Assembly. Critical Inquiry 43:1 (2016): 230-32.
Matthew Causey and Fintan Walsh, Performance, Identity, and the Neo-Political Subject. Contemporary Theatre Review, 24:3 (August 2014): 400-402.
Kristian Smeds, Vyšniu sodas-Der Kirschgarten, Wiener Festwochen, Macondo, May 2011. Theatre Journal 64:2 (2012): 273-75.
Kristian Smeds, Mr Vertigo, Finnish National Theatre, October 2010. Theatre Journal 63:2 (May 2011): 253-255.
Gerwin Strobl, Swastika and the Stage. German Theatre and Society. Theatre Survey 51:2 (2010): 314-316.
Elizabeth Woods, Performing Justice: Agitation Trials in Early Soviet Russia. Theatre Survey 49:1 (2008): 154-156.