Fall 2018 Courses

CPLT BC3001: Introduction to Comparative Literature
Brian O'Keeffe
T/R, 11:40-12:55
Introduction to methods and topics in the study of literature across national, linguistic, and cultural boundaries, across historical periods, and in relation to other arts and disciplines. Readings are selected and juxtaposed in consecutive units designed to give students training in the practice of comparative criticism and to foster, through praxis, reflection on underlying theoretical and methodological questions.  We will study works of poetry, drama, prose fiction, theory, and criticism. Topics include: the role of language and literature in different cultures and historical periods, the relationship between genres, the circulation of literary forms, literature and translation, post-colonial literature; East-West literary relations, the relationship of literature to other arts, and the relationship between literature and theory.
 
 
CPLT BC3110: Introduction to Translation Studies
Peter Connor
T/R, 4:10-5:25
Completion of Intermediate II or equivalent in any foreign language.
Introduction to the major theories and methods of translation in the Western tradition, along with practical work in translating.  Topics include translation in the context of postcolonialism, globalization and immigration, the role of translators in war and zones of conflict, gender and translation, the importance of translation to contemporary writers. 
 
 
CPLT BC3123: Friend or Foe? World Literature & The Question of Justice
Erk Grimm
T/R, 2:40-3:55
With an emphasis on equality and social justice, this course examines and compares significant 19th c./20th c. literary approaches to friendship as intermediary between individualism and communal life. Discussion of culturally formed concepts and attitudes in modern or postcolonial settings. Reading of Dickens, Hesse, Woolf, Ocampo, Puig, Fugard, Emerson, Derrida, Rawls.
 
 
CPLT BC3160: Tragic Bodies
Nancy Worman
M/W, 2:40-3:55
This course will focus on embodiment in ancient and modern drama as well as in film, television, and performance art, including plays by Sophocles, Shakespeare, and Beckett; films such as “Rosemary’s Baby” and “The Limits of Control”; and performances by artists such as Karen Finley and Marina Abromovic. We will explore the provocations, theatricality, and shock aesthetics of such concepts as Artaud’s “Theater of Cruelty” and Kristeva's "powers of horror," as well as Adorno's ideas about terror and the sublime.
 
 
CPLT BC3190: Aesthetics of Grotesque
Erk Grimm
T/R, 10:10-11:25
Examination of the grotesque in different cultural contexts from late Renaissance to the postmodern period comparing modes of transgression and excess in Western literature and film.  Particular emphasis on exaggeration in style and on fantastic representations of the body, from the ornate and corpulent to the laconic and anorexic. Readings in Rabelais, Swift, Richardson, Poe, Gogol, Kafka, Meyrink, Pirandello, Greenaway, and M. Python.
 
 
CPLT BC3551: Arabian Nights (NEW!!)
Hisham Matar
M 10:10-12:00
Prerequisite: Permission from instructor

This course examines the enduring power of The Arabian Nights and some of the wide range of literary authors, genres and variations that it has influenced. The focus is, therefore, on this marvellous work—one of the earliest examples of the short story and the novel—but also on a selection of classical and contemporary works of fiction from around the world that have been informed by it. In this regard, this is a class interested in literary influence, reciprocity and exchange across time and languages.

 
CPLT BC3675: Mad Love
Alfred Mac Adam
M/W, 2:40-3:55
The history of irrational love as embodied in literary and non-literary texts throughout the Western tradition. Readings include the Bible, Greek, Roman, Medieval, and modern texts.